Against a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016Against a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016Against a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016Bernardita Arís “Serie Rincón” (Corner Series) Painting on paper, 27 x 23 cmBernardita Arís “Serie Rincón, pieza jóven” (Corner Series, young bedroom) Collage and painting on paper, 24 x 21 cmBernardita Arís “Serie Rincón” (Corner Series) Collage and painting on paper, 27 x 21 cmBernardita Arís “Serie Rincón” (Corner Series) Collage and painting on paper, 25 x 44 cmAgainst a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016Claudia Müller Water registries, 2015 Ceramics, copper, wood,10 lt of water, hoses, water pump and synchronization system by Arduino, 120 x 100 x 100 cmPablo Rodríguez “Mahammad and the mountain”, 2016 Print over glass plates, 60 x 250 cmAgainst a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016María Ignacia Edwards “Nocturno” (Nocturne) Found fragment from the score “Nocturne” by Chopin, Persa Bio-bío, Stgo. Chile, 2014 Perforated wooden crate with the notation of “Nocturne”, La Vega central, Stgo. Chile, 2013 Constellation Lithograph, New York, 2011María Ignacia Edwards “Nocturno” (Nocturne) Found fragment from the score “Nocturne” by Chopin, Persa Bio-bío, Stgo. Chile, 2014 Perforated wooden crate with the notation of “Nocturne”, La Vega central, Stgo. Chile, 2013 Constellation Lithograph, New York, 2011Marcela Serra, “Ways of War”, 2012 55 paintings, 12,5 x 25 cm each, Oil on woodBenjamín Ossa “La transformación del tiempo” (the transformation of time), 2016 Installation with painting on paper, steel, and light source, variable dimensionsBenjamín Ossa “La transformación del tiempo” (the transformation of time), 2016 Installation with painting on paper, steel, and light source, variable dimensionsBenjamín Ossa “La transformación del tiempo” (the transformation of time), 2016 Installation with painting on paper, steel, and light source, variable dimensionsBenjamín Ossa “La transformación del tiempo” (the transformation of time), 2016 Installation with painting on paper, steel, and light source, variable dimensionsAgainst a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016Against a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016Against a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016María Ignacia Edwards “Elements de Mecanique” Found book/ El Rastro, Madrid, 2016 Gears and clock pieces, Viena, 2015María Ignacia Edwards “El Intermedio de la vida” (Life’s interlude) Found book/ El Rastro, Madrid, 2016 7 Chuño potatoes constellation, Cuzco, Perú, 2015María Ignacia Edwards “Método para Violín” (Method for Violin), Found music scores/ Persa Bio-bío, Stgo. Chile, 2015 Woven wire music score, 2015Against a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016María Ignacia Edwards “Ensayos Microscópicos” (Microscopical essays) Found book/ El Rastro, Madrid, 2016 Piece of Cactus and spines, Guanaqueros, north coast of Chile, 2014María Ignacia Edwards “Las fuentes de la civilización” (The sources of civilization) Found book/ Library “El cielo” Persa Bio-bío, Stgo. Chile, 2016 Rusted wire and knots constellationMaría Ignacia Edwards “Aire libre” (free air), Found book/ library “El cielo” Persa Bio-bío, Stgo. Chile, 2016 Wood mobile, piece of wicker, wooden and wire stick constellationPablo Rodríguez Untitled, 2016 print over glass plates, variable dimensionsAgainst a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016Against a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016Mariana Najmanovich “Nurse”, 2015 Oil on paper 41 x 31 cmMariana Najmanovich “The Choir”, 2015 Oil on canvas 100 x 70 cmMariana Najmanovich “Gymnasts”, 2015 Oil on paper 57 x 75 cmMartín La Roche Chapter III, 2015-2016 Riso printed Leporello (5 colors) in Munken paper, printed at the Charles Nipels Lab, Van Eyck, Maastricht. Folded: 20 x 38,5 x 5 cm Unfolded: variable measurement (uses around 6 square meters of surface)Against a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016Javier Toro Blum “Nueve” (nine), Aluminum, aluminum composite , fluorescent lights, one way mirror, adhesive vinyl, darkness and light conditions, 101 x 71 x 11 cmAgainst a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016Against a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016Lautaro Veloso Cycle of life and death, 2016 Ink pencil and acrilyc paint on paper, 50 x 77 cmRaisa Bosich Billboards, 2016 Laser cut plexiglas, variable dimensionsAymara Zegers “From the body we cannot fall (Explosion N 1)”, 2013 Still from a video of cranial explosion filmed at high speed 00:00:42:22Against a conspiracy of invisibilities curated by Rodrigo Arteaga exhibition view, May 2016
