Thomas Andréa Barbey uses color in its purest form: no use of shade, even if the juxtaposition of colored dots tries to deceive our eye. By using a method that crosses Neo-impressionism with Mec’art, the artist assimilates previous artistic techniques with a deep understanding of the mediums used, in order to offer a modern and unique adaptation.

Thomas Andréa Barbey, Intérieur Rideau, 2024, Tempera on paper, 55 x 39 cm