Like the poet, Pierre Petit applies a dreamlike prism distorting the materiality of details surrounding it, and this for places in Paris in Les Icônes, psychotropic drugs in Morphorail or porcelain tank tops in Les Anonymes. The visual artist’s systems oppose each other in order to create a flexible poetry, recomposed and stripped of its natural, physical, material functions.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.